Brian Aldiss Archive
A supplementary collection to the main Brian Aldiss Archive at The Bodleian Library, the material at Liverpool comprises manuscripts, typescripts, autobiographical writings, essays, articles, notes, correspondence, press cuttings and a small amount of artwork and audio-visual material.
Brian Wilson Aldiss (1925-) is one of the major figures of British science fiction. After initially pursuing a career as a bookseller, Aldiss began writing in the mid-1950s. He published his first science fiction novel Non-Stop in 1958 and received the Most Promising New Writer award at the World Science Fiction Convention in 1959. Aldiss became a prolific writer of science fiction novels, novellas and short stories, continuing to win acclaim for his imaginative and fluid style. In 1962, he gained a Hugo Award for Hothouse (published in the U.S.A. as The Long Afternoon of Earth), followed by a Nebula in 1965 for The Saliva Tree and the John W. Campbell Award for Helliconia Spring in 1983.
Aldiss also became a leading figure in the study of science fiction, with Billion Year Spree (1973), revised as Trillion Year Spree (1986); and has branched out at various points in his career into mainstream contemporary fiction, plays and poetry. Yet, it is with science fiction that Aldiss remains most associated and through the quality of his fiction and non-fiction and his involvement with both science fiction organizations and the literary establishment, he has done much to promote the genre. He was awarded the OBE for services to literature in 2005 and an honorary Doctorate of Letters from the University of Liverpool in July 2008.
The Brian Aldiss archival collection at Liverpool spans the period 1943-1995 but, at 15 boxes, is merely a supplement to the main Brian Aldiss Archive at The Bodleian Library. The collection at Liverpool comprises manuscripts and typescripts of Aldiss' fiction, including several novels and scripts, thirty short stories and numerous poems. There are several boxes of non-fiction material, including autobiographical writings, essays, articles and notes for conventions and meetings. There are also sections of correspondence, press cuttings and miscellaneous items, including a small amount of artwork and audio-visual material.